NANLUX posts three-part Evoke 600C and 150C training series

NANLUX has released a three-part educational video series for the Evoke 600C and Evoke 150C that combines practical lighting scenarios with hands-on equipment and operation coverage. The videos were produced by Jem Schofield of theC47 and are packaged with timecoded chapters so viewers can jump straight to the segment they need.

The series opens by introducing the Nebula C8 Color Light Engine and the Evoke fixtures built around it. NANLUX describes the Nebula C8 as an eight-emitter engine that expands the company's colour palette by adding deep red and indigo to its RGBLAC six-color approach. That configuration gives the Evoke lights a CCT range of 1,000 to 20,000K and allows ±200 green/magenta adjustment across that span, figures the videos reference while demonstrating colour choices on set.

Episode one follows Schofield through three practical lighting scenarios, showing how the same fixtures are applied to different storytelling needs. The opening setup is a corporate and documentary interview, indexed at 0:25 in the timeline, and the episode explains the location choices, the accessories and modifiers used, camera settings, and the reasoning behind each decision. At 4:40 the second scene moves outdoors for a lifestyle shoot at golden hour, and at 8:08 the third scenario demonstrates a narrative-style nighttime scene.

The second instalment shifts focus to the Evoke 150C, opening its overview at 0:25 and moving into a hardware, modifiers and power section at 2:20. The 150C is a compact 150W fixture built into an IP66-rated metal body and offers flexible powering: it can run from AC, V-mount batteries, or USB-PD. The video highlights the unit's FE mount, which adds electronic contacts for automatic modifier recognition while remaining compatible with the existing FM-mount accessory ecosystem.

The third part gives the Evoke 600C full attention. Hardware and powering details begin at 8:55, followed by accessories and modifier coverage at 13:00. The 600C is presented as a 600W point-source light and the footage shows its physical size and handling; the spec list on-screen notes the head weighs 8.6kg / 19lb. The 600C uses the BE mount, a Bowens-style electronic mount that can also recognize compatible modifiers and, where fitted, control an optional motorized Fresnel.

Operation and connectivity are treated as a core section across the series. Each title opens operation material first, then covers connectivity; the films place particular emphasis on the practical details of linking controls. NANLUX states that "both lights support wired and on-board controls, the NANLUX app, and DMX," and the videos demonstrate those options in real setup examples and menus. Viewers are walked through the fixtures' modes, including CCT, HSI, RGBW, XY coordinates, Gel and Effects, with commentary on how each mode can be used in different shooting situations.

The training deliberately uses timecodes and chapter markers so crews and buyers can target the segments they need. Each episode is structured with timecoded chapters, allowing a quick jump to hardware, powering, modifiers, operation or connectivity blocks without watching the whole film. All three videos are published together and collected into a YouTube playlist so the series plays as a coherent package.

The series also highlights practical accessory and modifier choices. For the 150C the FE mount is shown recognising modifiers via its electronic contacts while staying backward compatible with the FM-mount ecosystem. For the 600C, the BE Bowens-style electronic mount is shown handling larger accessories and, in one demo, controlling an optional motorized Fresnel. The camera-side examples show how modifier choice and mounting affect beam shape, spill and the look of skin tones when using the engine's extended colour range.

Powering options receive detailed attention because the two fixtures target different use cases. The 150C’s smaller envelope and multiple power inputs make it suitable for run-and-gun or location work powered from batteries or USB-PD, while the 600C’s 600W output positions it as a higher-output studio or location unit that still offers battery or AC workflows when required. The videos reiterate the published power and physical specs while showing real-world powering and rigging on location.

NANLUX also includes price information in the series: the Evoke 150C is shown at $864 and the Evoke 600C at $2,064. The training itself is free to watch, and the manufacturer has made the three films available in a single playlist to make it easier for crews to find a specific chapter or topic.

For users considering the Evoke lights, the series provides an accessible way to see mounts, modifiers, powering, connectivity and modes in use rather than only reading a spec sheet. The chaptered structure is intended to let operators and buyers cut directly to the sections that matter to their workflow, whether they need the brief on mounting and modifier recognition or a deeper look at DMX and app control.

All three films are currently grouped in a YouTube playlist published by NANLUX; the videos show practical setups, the Nebula C8 engine demos, hardware walk-throughs and operational examples designed to help technicians and gaffers apply the fixtures on set. The producer credit on each episode goes to Jem Schofield of theC47, and the package is presented as training material for both the Evoke 150C and the Evoke 600C.